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LJMS
LJMS
SummerFest
REVIEW: SummerFest 2023 Bids Farewell with Concert of Max Bruch and Tchaikovsky–and Freddie Mercury!
August 29, 2023
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LJMS
SummerFest
REVIEW: SummerFest’s ‘Unsilenced Voices’ an understated and accomplished evening of music
August 28, 2023
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LJMS
SummerFest
REVIEW: Magnificent Account of Shostakovich Piano Trio Crowns SummerFest ‘Unsilenced Voices’ Concert
August 28, 2023
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LJMS
SummerFest
REVIEW: SummerFest’s Synergy Series Follows the Musical Road Not Taken
August 21, 2023
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LJMS
SummerFest
REVIEW: Summerfest 2023 en San Diego [Spanish]
August 18, 2023
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LJMS
SummerFest
ARTICLE: Spoken Word Artist and Activist Marc Bamuthi Joseph speaks about his rendition of Carnival of the Animals
August 17, 2023
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LJMS
SummerFest
REVIEW: SummerFest Offers an Incomparable Account of Schubert’s E-flat Major Piano Trio
August 17, 2023
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LJMS
SummerFest
ARTICLE: Projections, props, dance and spoken word poetry are expanding the boundaries of classical concerts
August 17, 2023
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LJMS
SummerFest
REVIEW: From soloist to substitute, composer-cellist Paul Wiancko took it all in stride
August 17, 2023
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LJMS
SummerFest
REVIEW: Wednesday’s SummerFest Program Goes All-American–Almost!
August 11, 2023
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LJMS
SummerFest
FEATURE: Marc Bamuthi Joseph: Hip Hop, Spoken Word and ‘Engaging the Questions of Our Moment’
August 9, 2023
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LJMS
SummerFest
REVIEW: Thomas Adès enthralls SummerFest audience with dazzling pianism and profound chamber music
August 8, 2023
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