Mark Turner

In a career that spans two decades and encompasses a broad array of musical ventures, saxophonist Mark Turner has emerged as a towering presence in the jazz community. With a distinctive, personal tone, singular improvisational skills and an innovative, challenging compositional approach, he’s earned a far-reaching reputation as one of jazz’s most original and influential musical forces.

A New York Times profile of Turner titled “The Best Jazz Player You’ve Never Heard” called him “possibly jazz’s premier player,” noting his reputation amongst his peers and his influential stature in the jazz world.

Turner’s diverse discography includes collaborations with many of jazz’s leading lights, including Kurt Rosenwinkel, Lee Konitz, James Moody, Dave Holland, Joshua Redman, Delfeayo Marsalis, Brad Mehldau, Reid Anderson, Omer Avital, Diego Barber, David Binney, Brian Blade, Seamus Blake, Chris Cheek, George Colligan, Gary Foster, Jon Gordon, Aaron Goldberg, Ethan Iverson, Jonny King, Ryan Kisor, Guillermo Klein, Matthias Lupri, OAM Trio, Mikkel Ploug, Enrico Rava, Jochen Rueckert, Jaleel Shaw, Edward Simon and the SF Jazz Collective.

Born in 1965 in Ohio and raised in Southern California, Turner grew up surrounded by music. After starting out on clarinet in elementary school, Turner gravitated towards saxophone in high school, while also exploring his talent for the visual arts. Although he briefly studied design and illustration at Long Beach State University, his passion for jazz ultimately led him to pursue a career in music. Turner’s meticulous, analytical work ethic led him to study and dissect the work of such saxophone giants as John Coltrane, Joe Henderson, Dexter Gordon, Sonny Rollins, Warne Marsh and Lester Young in the pursuit his own musical voice.

After graduating from Boston’s prestigious Berklee College of Music in 1990, Turner moved to New York, where his rapidly developing talents were quickly recognized. Between 1995 and 2001, he recorded five albums of his own—Yam Yam, Mark Turner, In This World, Ballad Session and Dharma Days—while keeping busy as a sought-after collaborator and sideman.

Despite his growing reputation and influence, Turner intentionally pulled back from working as a leader after 2001′s Dharma Days, focusing much of his energy on parenthood while channeling his creativity into numerous collaborative projects.